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悲情枪手
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李靖,刘妤姻子,刘蕊,姜英俊青出于蓝2025
索菲娅·莉莉丝,戴夫·巴蒂斯塔,鲍比·坎纳瓦尔,凯特·德尔·卡斯蒂洛,杰克·尚皮永,托尼·达尔顿,布鲁·德尔·巴里奥,印达·纳瓦雷特,惠特尼·皮克,泽尔·亚当斯三个神探与喀尔巴阡之犬
Florentine Behrend,Levi Brandl,菲利普·克里斯托弗,Luis Dyangani,西拉-安娜 法尔,Mapi Plácido,Filip Schnack不可饶恕1992
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加里·库珀,琪恩·亚瑟,乔治·班克罗夫特,莱昂内尔·斯坦德,道格拉斯·敦布里勒校园鬼
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王子子,彭敬慈,陈芋米,佟月,王远达甜心老爸
布伦特·贝利,迈克尔·钱德勒,Benjamin Easterday,Wendell Kinney,Jamaal Lewis,肯尼斯·米勒,凯西·奥凯菲,瑞克·奥托,Anthony Richard Pagliaro,Jim Poole,奥布雷·雷诺兹,埃利斯·罗伯特森跟我○○○就能红
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超级黑暗时代
欧文·坎贝尔,查理·塔汉,伊丽莎白·卡布奇诺,马克斯·塔利斯曼,索耶·巴斯,艾米·哈格里夫斯,安德亚·雷诺克斯,Ethan Botwick,Philip H. Ashley,Justin Rose,Kortnee Rumph,Samantha Jones,Anni Krueger,Jeffrey Alan Solomon,Carl Arcilesi故事发生在上世纪90年代的一个美国小镇上。扎克和乔西从童年时就是最好的朋友，他们每天一起骑车上下学，放学后一起玩耍，甚至喜欢上同一个女孩。然而平静的生活在某天下午被彻底打破了。聚会因大麻而失控，朋友达里尔在教室里失血过多身亡，男孩们恐慌无措地要彼此发誓保密，扎克简单的生活仿佛被撕开了一道巨大的口子，整日被罪恶感压迫地喘不过气，乔西则索性不再上学，甚至不再走出家门一步。曾经密不可分的两个男孩在数日后便产生了不可逾越的鸿沟……
别怕，是我
凯拉·赞德尔十五年前，莉茲的前男友德魯因搶劫銀行而被捕。如今，德魯突然出現在她家後院，請求她讓自己暫時藏匿。莉茲竟答應幫忙，但前提是要她老公不在家。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
吹笛人
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