黑色午夜

⭐ 7.5 播放：64万 2026-05-27

主演：楊家安/

小娟（陈蓓琪饰）是一个天性放荡不羁奔放爱玩的女孩，在男友的半哄半骗之下，她不仅失了身，甚至下海成为了一名舞艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。同为舞女的紫莹（于芷蔚饰）不忍心看到小娟就这样堕落下去，劝说她赶紧多存钱，傍个大款早日脱离苦海。

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剧情提要

暗夜精选

团战之夜

山姆·洛克威尔,史蒂夫·马克,坦娅·范·格拉恩,卡西尔·伊托克-威尼克,朱诺·坦普尔,迈克尔·佩纳,海莉·露·理查森,莎姬·贝兹,阿西姆·乔杜里,汤姆·泰勒,Adam Burton,迪诺·费切尔,乔治娅·古德曼,康拉德·坎普,迈克·加萨威,安娜·阿克顿,露露·泰勒,艾莉·康德伦,多米尼克·马厄,大卫·斯图尔扎克

急转直下

凯特·贝金赛尔,斯科特·伊斯特伍德,马特·克拉文,安娜·戈尔佳,塔利亚·亚瑟拉夫,阿文·卡纳尼安,亚历杭德拉·霍华德,罗伯特·法里奥尔,乔丹·杜维尼奥,马达莱娜·瓦莱基·威廉姆斯,帕滕·休斯,马西莫·麦奎因

从前有位国王

末日逃生2：迁移

杰拉德·巴特勒,莫蕾娜·巴卡琳,罗曼·格里芬·戴维斯,苏菲·汤普森,艾波·罗丝·雷瓦,威廉·阿巴迪,托米·厄尔·詹金斯,斯荣德·福斯·奥瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亚历山大,西塞尔·西姆·科赫,吉安尼·卡尔切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亚·珀金斯,贡纳·贝西·比昂森,Gina Gangar

基卡2025

玛侬·克拉维尔,Makita Samba,托马斯·库芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯纳德·布兰卡恩,Kadija Leclere,安纳尔·斯诺克,Thierry Hellin,埃洛迪·巴特尔斯

罪生咒

印度超人

佩丽冉卡·曹帕拉,赫里尼克·罗斯汉,纳萨鲁丁·沙

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第九区

沙尔托·科普雷,詹森·库伯,娜塔莉·博尔特,茜尔雯·斯特赖克,约翰·萨莫尔,威廉·艾伦·扬,尼克·布雷克,杰德·布罗菲,路易斯·米纳尔,瓦妮莎·海伍德,玛丽安·胡曼,维多利奥·莱奥纳迪,曼德拉·加杜卡,约翰·范·肖尔,斯特拉·斯廷坎普,戴维·詹姆斯,肯尼思·恩科西,蒂姆·戈登,莫尔内·埃拉斯姆斯,尤金·孔巴尼瓦,赫棱基维·马德拉拉,西雅邦加·拉德贝,梅尔特·西贝尔哈亨,安德勒·奥登达尔,尼克·伯莱尼,罗伯特·霍布斯

暗杀国度

奥黛莎·杨,阿布拉,苏琪·沃特豪斯,哈莉·尼夫,科尔曼·多明戈,丹尼·拉米雷斯,乔尔·麦克哈尔,茉德·阿帕图,科迪·克里斯蒂安,比尔·斯卡斯加德,库伦·莫斯,贝拉·索恩,小凯文·哈里森,阿尼卡·诺尼·罗斯,杰夫·波普,诺亚·盖尔文

血路姐弟

幕后花絮

女人

　　影片讲述了一个从小被抛弃于森林，依照动物生存模式存活下来的女人。被一个男人掳掠回家并且受尽欺凌。这家人中，男主人极度大男子主义，仇视女人。小儿子因为受父亲教导也对女人极不尊敬。懦弱并逆来顺受的母亲，被父亲侮辱而怀孕的大女儿，以及不谙世事的小女儿。故事的最后，大女儿在极度绝望和恐惧的支配下放了野女人，野女人杀了她的父母和弟弟，带走了她的妹妹。　　本片以不太恐怖的氛围，却深刻的暗喻了一个至今仍然存在的严重的社会现象，男人应该如何看待女人，女人应该如何正确扮演家庭中的角色。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.