剧情纵览
被稱為「遠藤家族守財奴」的母親去世後,留下豐厚的遺產。遠藤三兄妹在接到律師的聯絡,相繼回到老家。這時,一男與太太愛子的床事卻被兒時玩伴朝男撞見,一氣之下的一男想盡辦法趕走朝男,卻不知原來一直代替三兄妹照顧母親的朝男也能分得母親一部分的遺產。在慾望與貪婪催化之下,遠藤家的手足間開始了遺產之爭,人性的醜陋顯露無遺……
被稱為「遠藤家族守財奴」的母親去世後,留下豐厚的遺產。遠藤三兄妹在接到律師的聯絡,相繼回到老家。這時,一男與太太愛子的床事卻被兒時玩伴朝男撞見,一氣之下的一男想盡辦法趕走朝男,卻不知原來一直代替三兄妹照顧母親的朝男也能分得母親一部分的遺產。在慾望與貪婪催化之下,遠藤家的手足間開始了遺產之爭,人性的醜陋顯露無遺……
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
一群直播团队挑战进入一座闹鬼的老宅,很快发现,眼前的恐怖竟比他们预料的还要真实可怕。随着一波又一波的惊悚事件,他们必须在恐惧中挣扎前行,力图在这座死亡之屋中活到天亮。
时光网讯 据国外媒体报道,埃米尔·赫斯基将主演一部名为《The Motel Life》的新片,而他也被本片最早确定下来的主创人选。 影片改编自Willy Vlautin的同名处女作小说,讲述了一对内达华州的兄弟在经历了一场致命变故后踏上逃亡之路,虽然途中偶然会出现幸运和希望,但他们依旧渐渐被社会所遗弃。
大卫(彼得·费辛利 Peter Facinelli 饰)的妻子英年早逝,之后他遇见了名为劳伦(索菲亚·迈尔斯 Sophia Myles 饰)的女子,两人坠入了情网,劳伦让大卫重新找到了人生的希望和目标。大卫和前妻生养了一个女儿取名吉尔(娜塔莉亚·罗蒙丝 Nathalia Ramos 饰),正直叛逆期的她独自居住在哥伦比亚。 某日,大卫和劳伦踏上前往哥伦比亚的旅途探望女儿,可在途中竟然遭遇了车祸。两人在暴雨之中找到了一间破旧的旅馆栖身,却在无意之中听见旅馆的地下室里传来年轻女孩的呼救之声。正义和道德驱使大卫决定解救这名可怜的女孩,却不知道他的这一行为将在场的所有人推入了万劫不复的深渊之中。