发情男人
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瑞恩·高斯林,桑德拉·惠勒,詹姆斯·奥尔蒂斯,莱昂内尔·博伊斯,梁振邦,米拉娜·薇恩翠,普里亚·坎萨,利兹·金斯曼,马拉基·卡比,梅丽尔·斯特里普,尤妮斯·胡特哈特,雷·波特,达米安·德·弗罗贝维尔,安妮勒·奥拉莱,米娅·索特里乌,巴斯蒂安·安东尼奥·富恩特斯,爱丽丝·布里塔因,玛雅·伊娃·侯赛因,迈克尔·阿金绥尔,特拉维斯·杰,杰弗里·兰布,保罗·兰伯特,奥赖恩·李,亚伦·尼尔,米歇尔·格里尼奇,伯恩哈德·舒茨光荣何价
大卫·卡拉丁,Ronny Cox,兰迪·奎德,梅林达·狄龙血战到底2025
李恰,于莫凡,李博,吕晨加里市
艾邦·摩斯-巴克拉赫,乔·博恩瑟,阿尤·艾德维利,莱昂内尔·博伊斯,艾比·艾略特,马蒂·马得胜,杰瑞米·艾伦·怀特,莉莎·科伦-扎亚斯,马琳·爱尔兰,吉莉安·雅各布斯,Nation Sage Henrikson,T.J. Jagodowski,Elisha Evans,Richard Gomez,Lisa Beasley最后的维京人
麦斯·米科尔森,尼古拉·雷·卡斯,拉斯·兰特,苏菲·格拉宝,卡尔多·拉扎齐,拉尔斯·博格曼,索伦·莫灵,尼可拉斯·布若,波笛·约根森,安妮特·斯托维尔拜克,丽克·路易丝·安德森,Klaus Søndergaard,莉拉·诺贝尔,Susanne Breuning,Bue Wandahl,Peter Düring,Alfred Røssel Læsø,Nomi Bodnia,Joel Hesse Johansen罗格河
米歇尔·佩吉,Art Alexakis,克里斯·科伊,迈克尔·库立兹,卢辛达·珍妮同类推荐
昏神
迈克·C·曼宁,格里芬·弗里曼,瑞恩·平克斯顿,奥格斯·罗德,特里萨·纳瓦罗A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.
冬脊
马特·霍金斯,奥尔雯·凯瑟琳·凯莉,汉娜·沃丁厄姆一名年轻的侦探在他的妻子昏迷不醒的同时还在追捕一个连环杀手后被撕裂。
自杀森林
娜塔莉·多默尔,泰勒·金尼,欧文·马肯,斯蒂芬妮·沃格特,小泽征悦,Rina Takasaki,樱井北子,Yûho Yamashita,藤本政志生活在美国的莎拉·普斯（娜塔莉·多默尔 Natalie Dormer 饰）近日来心神不宁，她有一个孪生妹妹杰西（娜塔莉•多默尔 Natalie Dormer 饰）在日本担任外教。然而杰西突然下落不明，莎拉拜托山梨县警方帮助搜查，最终得到的结果是杰西可能进入了拥有“自杀胜地”之称的青木原森林自我了断。莎拉绝不认同警方的推测，她不顾男朋友的阻拦，独自踏上前往日本的旅途。她最先来到了妹妹任教的学校，在调查未果之后乘上了前往青木原森林的列车。他人的劝阻无法拦住莎拉的脚步，她朝向森林深处走去。 在这一过程中，恐怖诡异的经历交替袭来……
姐妹董事会
蕾切尔·蕾·库克,丹妮拉·莫奈,列奥尼达斯·古拉普蒂斯公司高管梅根成立了一个董事会，以改善她妹妹混乱的生活，并与一位心理学教授坠入爱河，后者发现了她强硬的举止。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.