电车魔女
别名：揺れる電車の中で 女教師のy-らなアルバイト 年青性感香甜的河崎教员，是独身漂亮女郎，在电车常被色郎袭胸摸屁股，种种性骚扰，但她泰然自若，好像已习气咸猪手，听凭车上男人抚，得到性肆的影响快感，个人也振奋起艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。任教现已三个月，但她十分热心她的作业。 但是，她心里的隐秘不能泄漏给他人。当她仍是个学生，她从她的兄弟借来的钱，但没有清晰的巨额债款与她的菲薄薪酬的教员。不甘愿，她成了一名妓女，使疾速，轻鬆挣钱。她摀住脸，她的豪乳，暴露在拍摄镜头的视讯谈天室印象前面，搓揉双奶，也享受到自我解决的性娱，到达某些欲望中意，一起可用情丨色来蛊惑更多的顾客点阅。 可怜的事，这是众所周知的性场景之一，被她的学生石井一明发觉，断定河崎教员援交现实。从此，学生石井一明斗胆藉口挟制教员，需求她在电车与室内做肉体触摸。逐步石井爱上女教员，愿协助教员还账，石井暗中去出卖灵肉，充任S丨M牛郎挣钱。河崎教员深受感动，热心自动托衣献身相报。 料想不到，石井一明不小心坠落河崎教员不胜入眼的相片，被训导主任伊藤男教员抢走，伊藤竟然以此理由钳制河崎教员，目的加以强暴。幸经石井一明发觉，以球棒击溃伊藤而解危，师生荡爱情继续下去，也形成形势越来越难以操控
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剧情提要
别名：揺れる電車の中で 女教師のy-らなアルバイト 年青性感香甜的河崎教员，是独身漂亮女郎，在电车常被色郎袭胸摸屁股，种种性骚扰，但她泰然自若，好像已习气咸猪手，听凭车上男人抚，得到性肆的影响快感，个人也振奋起艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。任教现已三个月，但她十分热心她的作业。 但是，她心里的隐秘不能泄漏给他人。当她仍是个学生，她从她的兄弟借来的钱，但没有清晰的巨额债款与她的菲薄薪酬的教员。不甘愿，她成了一名妓女，使疾速，轻鬆挣钱。她摀住脸，她的豪乳，暴露在拍摄镜头的视讯谈天室印象前面，搓揉双奶，也享受到自我解决的性娱，到达某些欲望中意，一起可用情丨色来蛊惑更多的顾客点阅。 可怜的事，这是众所周知的性场景之一，被她的学生石井一明发觉，断定河崎教员援交现实。从此，学生石井一明斗胆藉口挟制教员，需求她在电车与室内做肉体触摸。逐步石井爱上女教员，愿协助教员还账，石井暗中去出卖灵肉，充任S丨M牛郎挣钱。河崎教员深受感动，热心自动托衣献身相报。 料想不到，石井一明不小心坠落河崎教员不胜入眼的相片，被训导主任伊藤男教员抢走，伊藤竟然以此理由钳制河崎教员，目的加以强暴。幸经石井一明发觉，以球棒击溃伊藤而解危，师生荡爱情继续下去，也形成形势越来越难以操控
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
协议
莫妮卡有個正值青春期的女兒卡拉，但一天早上卡拉卻因一場奇怪的事件而失蹤，幾個小時後被人發現時已意識不清，醫生更宣告她剩下的時間不多。莫妮卡無法接受自己的女兒已無藥可救，在極度絕望之下，參與了一場暗黑儀式，並跟一名神秘的男人訂下契約，以挽救卡拉的性命。隔天卡拉突然恢復活力，連醫生也無法解釋原因，但莫妮卡的夢魘才正要開始。