女兵人:死亡大兵5

1.5 播放:72万 更新:2026-05-23

女兵人:死亡大兵系列第五集,艺术唯美的画面展示美国女大兵的火辣风采  

即刻观影

剧情赏析

女兵人:死亡大兵系列第五集,艺术唯美的画面展示美国女大兵的火辣风采  

编辑推荐

消失的证据

郑媛元,王帅,高迦澜

妹妹石晗离奇“自杀”,疑点重重。姐姐石岚毅然踏上追凶之路,她孤身对抗恶势力,艰难收集证据,最终在绝境中完成复仇,将施暴者一一绳之以法。影片不仅是一场酣畅淋漓的罪案追凶,更深刻揭露了人性之暗与正义的重量。

异变者

绫野刚,成田凌,岸井雪乃,石井杏奈,内野圣阳

 一位无家可归的失忆男子接受一场实验性医学手术,术后醒来发现自己获得新的能力,可以看穿人们内心最深处的伤痛,真实和幻象之间的界线也因而模糊难辨。

与神对谈

大卫·斯特雷泽恩,布伦顿·思韦茨,耶尔·格洛格拉斯,Charlbi Dean Kriek,希尔·哈勃,博比·迪奇科,Meagan Kimberly Smith

  虽然是三次面谈之旅,但我觉得三次否认叫Peter更合适;08,20-08,22FathomEvents,电影大概只有90分钟,后附30分钟interview分享一些信仰心得,恍然间有点以为看到了TheSunsetLimited(2011)的感觉,电影不合情理得把神实化(降临),但又很合乎情理的在分享Paul的见证,所以最后interview有个问题是为何上帝没有启示我,这个问题答案就是:先求他的国和他的义,然后你才能见证他的神迹。

别走

斯蒂芬·多尔夫,梅利莎·乔治,西蒙·德兰尼,加文·欧康诺,莱勒·罗迪,肖恩·马洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne

  梅利莎·乔治、斯蒂芬·多尔夫主演的[别走](Don't Go,暂译)柏林电影节曝光首款剧照。该片故事讲述本(斯蒂芬·多尔夫饰)的女儿在事故中去世,而他相信自己可以在梦里将女儿带回来。本从此陷入现实和虚幻交错的空间。该片爱尔兰将于9月4日上映。

鬼影实录:东京之夜

中村苍,青山伦子

  位于东京的某区,山野一家三口过着富庶自在的生活。2010年9月3日,姐姐春花(青山伦子 饰)从美国归来,此前她在旅行中遭遇一场车祸,致令双腿严重骨折。弟弟幸一(中村苍 饰)是个开朗阳光的大男孩,他拿着新买的摄像机拍下了山野家生活的点点滴滴。由于父亲公务繁忙,平时只有姐弟二人在家。平静的日子并未持续太久,一丝不安便在屋子内肆意弥漫。春花发现,每当次日醒来床边的轮椅便会发生移动。为了探明真相,幸一决定在姐姐的卧房内安置摄像机,监控夜晚的情况。在屏幕前,不可思议的景象接连发生,姐弟俩似乎也陷入恶魔的诅咒中,无法逃脱……  本片为恐怖片《鬼影实录》的日本版。

公寓2024

斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.