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判决2025
里罗·得万托,礼萨·拉哈迪安Raka, a court security officer, and his pregnant wife, Nina, celebrate her success in passing the bar exam. While they have a rare evening of fine dining to savor the moment, their joyous celebration is shattered when Nina is found brutally murdered. The investigation quickly identifies Dika as the prime suspect, leading to his swift arrest. However, with the support of a shrewd and manipulative lawyer, Timo, the trial takes an unexpected turn that Raka could never have anticipated. As the trial spirals towards an unjust outcome, Raka resolves to overturn the corrupt verdict and seek justice for his late wife.
皮皮鲁和鲁西西之309暗室
黄爽,刘蕊,李昕皮皮鲁兄妹在自家衣柜发现309暗室,打开后遇到了科学家“觅工”并得到“致聪盔”。皮皮鲁将“致聪盔”戴到了宠物“大傻”的头上后,城市陷入瘫痪。皮皮鲁和家人齐心协力战胜“大傻”,魔方市恢复了原来模样。
尤为明亮的生物
莎莉·菲尔德,刘易斯·普尔曼,丹·佩恩,贝丝·格兰特,科尔姆·米尼,劳拉·哈里斯,索菲亚·布莱克-德埃利亚,凯西·贝克,陈冲,梅根·赫弗恩,唐纳德·沙利斯,萨莎·威廉斯,迈尔斯·马萨勒,Brandon McEwan,Emily Giannozio,卡里姆·马尔科姆,Kingston Goodjohn,Ezra Wilson,安东尼·哈里森,诺亚·克雷格,卡罗琳·亚代尔70岁的寡妇托娃·沙利文在索维尔湾水族馆做夜班清洁工,三十年前儿子的失踪一直是她心中的痛。她与馆里聪明的太平洋巨型章鱼马塞勒斯建立起奇妙的羁绊,马塞勒斯总能在她难过时给予无声的陪伴。与此同时,迷茫的青年卡梅隆·卡斯莫正在寻找自己的生父,他的人生也因这场寻找而逐渐清晰。两条看似无关的故事线,因马塞勒斯的意外发现慢慢交织。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
虎纹少女
扎芙林·宰丽扎尔,迪娜·埃兹拉尔,碧卡,莎黑兹·萨姆,郡·洛琼,海鲁纳兹万·罗德兹伊,Fatimah Abu Bakar故事一开始,我们见到了12岁的扎凡(扎芙林·宰丽扎尔 Zafreen Zairizal 饰),一个叛逆而无忧无虑的女孩。然而,她的身体开始发生可怕的变化,而她却试图否认和掩饰这些变化,希望在学校里保持正常的生活。随着朋友们对扎凡的排挤和攻击,情节逐渐升级,达到了一个临界点,整个学校陷入恐慌。 学校里关于厕所里藏着一个暗影的传说加剧了恐惧氛围,而一位自告奋勇的医疗官决定赶走困扰众人的恶魔。医疗官很快发现扎凡可能是问题的根源,打算为她进行驱魔。扎凡的内心状态宛如一只被拖出栖息地的受惊老虎,她最终决定向众人展示真实的本性,包括愤怒、狂暴和美丽。这可能是一个关于接受自己真实面貌的故事,同时也涉及到对于社会标准和期望的反抗。
大佛回国
Philip Granger,Toshi Toda,宝田明,森田友希,Shelley Sweeney,久保明,Peggy Neal,Robert Scott Field,萤雪次朗,Francisco de Borja De la Bella,小林夕岐子,Inge Murata,Yoshiro Uchida,Ippei Ôsako,Norman England