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KING OF PRISM -Your Endless Call- 大～家一起闪耀！PRISM☆TOURS
寺岛惇太,齐藤壮马,畠中祐,八代拓,五十嵐雅,永冢拓马,内田雄马,苍井翔太,武内骏辅,杉田智和,柿原彻也,前野智昭,增田俊树,三木真一郎,关俊彦,森久保祥太郎,浪川大辅,中山咲月,山下诚一郎,小林龙之,土田玲央,河合健太郎,鹈泽正太郎,橘龙丸,浦田涉,天月,梶原岳人,田丸笃志,近藤隆,大桥贤一郎,冈本信彦密室逃生2
泰勒·拉塞尔,洛根·米勒,霍兰·罗登,茵蒂娅·摩尔,托马斯·康奎尔,伊莎贝拉·弗尔曼,詹姆斯·弗莱恩,卡利托·奥利维罗,杰米-李·蒙尼,坦娅·范·格拉恩,阿维亚娜·亚伯拉罕最后的救赎2024
娜塔莉·伯恩,詹姆斯·科兹莫,Denisa Juhos噪声
李先彬,金玟锡,全益玲,刘庆秀武器之刀光剑影
李乾铭,张星阑,孔孝信,孙祎彤,李梦瑶,张春仲,曹禹澄,冯瀑,李雄,王鹰,齐·宝力高,于又川,元宝推理要在晚餐后 电影版
樱井翔,北川景子,椎名桔平,中村雅俊,樱庭奈奈美,要润,鹿贺丈史,黑谷友香,甲本雅裕,大仓孝二,儿岛一哉,村川绘梨,团时朗,六角精儿,田中要次,伊东四朗,生濑胜久,竹中直人,宫泽理惠情圣3
肖央,谭卓,乔杉,常远,张小婉,代乐乐,艾伦,王成思,范湉湉,李思博,刘大锁,冯满,小沈阳,王迅,玛瑙同系列推荐
去海边的路
原田琥之佑,麻生久美子,高良健吾,唐田英里佳,菅原小春天堂孤影1986
马蒂·佩龙帕,卡蒂·奥廷宁,萨卡里·库斯曼嫩,埃斯科·尼卡里,Kylli Köngäs,佩卡·莱霍,Jukka-Pekka Palo,Svante Korkiakoski,Mari Rantasila,Safka Pekkonen,Antti Ortamo,马托·瓦尔托宁,Sakke Järvenpää,Ulla Kuosmanen,Neka Haapanen,阿基·考里斯马基罗伯特玩偶的复仇
Lee Bane,Harriet Rees,Judith Haley肖菲勒
埃里卡·弗雷泽,埃里克·库比亚克,马蒂·麦克唐纳星际变种
刘敬宇,杨舒婷,凯洱,麦小龙,王艺曈,袁近辉,鄢子纶,李岩研,刘峰超,Alexander Zerrath,狼森,Eric Joseph Heise,蒂娜·柯林斯,Chelsey Mark,大卫·雷登,Norbert M.DuBois,赵鹏涛暴雨屋
Grant Masters,Patrick Flynn,Grahame Fox幕后花絮
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
留校联盟
预科学校巴顿学院的老师保罗（保罗·吉亚玛提 饰）不太受欢迎，不管是学生、老师还是校长，都不太喜欢他，他们觉得他浮夸又僵化。在1970年的圣诞假期，保罗留在了学校监督无法回家的学生。几天后，只有一个学生留了下来——一个名叫安格斯的15岁捣蛋鬼，他是一个被不良行为破坏的好学生，总是在被开除的边缘试探。与保罗和安格斯一起留下的还有学校厨师长玛丽，一个为特权阶层的儿子们提供服务的非裔美国妇女，她自己的儿子最近在越南失踪了。这三个截然不同的失意者组成了一个奇怪的圣诞家庭，在新英格兰大雪纷飞的两个星期里，分享着不幸经历，并意识到他们中没有人感谢自己的过去。