爱玛夫人2016
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明日回游
李贝贝,郝正,田鈊,冯丹菊即将临盆的李晴（李贝贝饰）被带往一处郊区别墅静心待产，却在看似周密的照护背后，落入一场精心布局的惊天阴谋。身边所有人都试图让她相信一个被构造的“真相”，精神压力与诡谲氛围不断侵蚀她的判断力，使她难以区分现实与幻觉。随着恐慌升级，她随身携带的DV成为突破迷局的重要线索，故事走向也随之产生翻转。
乱马12：决战桃源乡！夺回新娘子！！
山口胜平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,绪方贤一,铃置洋孝,山寺宏一,鹤弘美,佐久间玲,关俊彦,永井一郎,麻生美代子,真殿光昭,中岛聪彦,飞田展男,二又一成,松尾贵司,西村朋纮又一年的夏天来临，在九能带刀（鈴置洋孝 饰）的倡议下，天道道场的伙伴们决定结伴出海旅行，谁知航行中遭遇风暴，众人最终流落孤岛。由于乱马（山口勝平 饰）和八宝斋（永井一郎 饰）的打闹，游艇的修缮工作遥遥无期。正在这时，小霞姐姐神秘失踪，最后连珊璞（佐久間レイ 饰）、小靡、右京也不见踪影。在她们失踪的现场，全部留下一只桃子。背后黑手原来是桃幻乡的幻术王子桃磨，来到小岛上的所有女孩都被掳走成为他的新娘候补。为了夺回亲人和爱侣，乱马他们注定要面临一场恶战……本片根据高桥留美子的漫画《乱马1/2》改编，系该动画的剧场版。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.